Sumo19 is the first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording. Now with ProRes RAW!
Quad HD live switching and 5 channel recording!
- To enable switching navigate to the input menu and select SDI Multistream as the source.
- Record up to 4 channels as ISOs, plus a simultaneous program recording.
- View and record up to four asynchronous 1080p/1080i inputs at up to 60 frames per second*.
- Loop out program feed via HDMI or SDI, or both simultaneously.
- A multicam Apple Final Cut XML project can automatically be created with touch screen select-able options for hard cuts or
- Fully configurable audio:
- Each ISO channel can record embedded channels plus the analogue XLR input.
- The program feed can be configured to record audio from any single ISO channel and/or the analogue XLR audio input.
- Alternatively the audio can follow the embedded audio from each ISO channel as it switches between sources.
As of OS 9.0, get ProRes RAW recording:
- ProRes RAW capture
- ProRes RAW playback
- Support for Panasonic EVA1 Raw
- Enhanced focus peak options
- Sony Raw loop out support
- Arri file naming support
- HLG support for Panasonic GH5
- Added the option to pause video during slow motion playback
Live quad channel HD switching and recording
Live switch four 1080p channels and record each as separate ISOs. Switch between feeds intuitively on-screen with hard cuts. Save space by replacing several boxes in your rack with a single Sumo19.
BUILT FOR PRODUCTION
The Aluminium alloy chassis with built-in armour houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers.
The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.
For the first time your on-set production monitors can be HDR capable and have recording capability. Now every monitor is not only for high quality shot preview, it can also record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19″ 1200nit 10-bit HDR screen.
Take Sumo 19 into the studio to use as a HDR grading monitor. Simply connect with your grading software to take Log, PQ or HLG signals from your Mac/PC and instantly see colour accurate HDR in 10-bit quality with 10 stops of dynamic range.
QUAD SDI & HDMI 2.0 IN/OUT
Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G Quad Link/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with support for Genlock and LTC time code.
PROFESSIONAL RECORDING – 12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60
Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.
Record ProRes RAW
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
GO HDR TODAY
Sumo’s 19” 1920×1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colours of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.
TRUST WHAT YOU SEE
Calibrate for accurate colour
Like all high-end monitor’s, Sumo also has optional calibration to compensate for the natural colour and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.
CHOOSE THE SSD TO SUIT YOUR WORKFLOW
Media solutions that are affordable, time saving and convenient
Sumo records using our patented Master Caddy system. High capacity and widely available 2.5″ SSD’s provide an affordable solution for long recording times. We’ve tested and approved over 20 drives for Sumo that neatly slot into the provided Master Caddy or use the custom Atomos caddy from Angelbird.
See Also Sumo19M – Monitor Only Version